Tuesday, September 2, 2014

Another dimension.

    I found these images on line, without credit to the artist that made them, so I don't have that to post but wanted to keep these images here anyway. I feel like they would be friends with the paintings I have in mind to make. A kind of crossing over of spaces, time, and dimension. Dimension is such a funny word and I can't say it or hear it without thinking of The Beasty Boys song with the "another dimension, another dimension, another dimension, another dimension", or the Twighlight Zone, so sci-fi. Which, are things I like so it's okay. But the idea of parallel dimensions, is sort of mind blowing, isn't it? And something I think about. And that seems like sort of a new-agey thing to be thinking about trying to paint but that's what's happening people. If I had been a better student, and if it had occurred to me to study these things, maybe I would have been a scientist. In another life maybe. These things fascinate me. And thrill me. Truly. I hope I can make some paintings that hold some of the mystery of this life that we are living. I am hoping that they will convey something about time and memory and our deep connections to each other and to places and spaces we inhabit. I want them to be simple and strong and hold you in space in front of them. I hope they will hold the viewer for a while. And I want the viewer to feel like they are in a space within the painting. And that it makes them want to linger there and wonder. This is why I got canvases that size. They could feel like you are standing in a space, life sized, like you are right there.
    These two images here may be a little over the top for me if they were just paintings. They are more like book cover art. They are saying more than I would want to say. There is a lot of information. But they also make me stop and wonder and sort of delight in the "what if" that they suggest. 
    A painting professor I had in college asked us what makes something art. He said it was intention. If you make a plate of pancakes and call it art, it is art. Then he asked what makes "good"art. He said he thought it was the art's ability to make you ask questions. This was such an important idea to me. And I believe it to be true. If I can make some paintings that will stop people from walking by and take a minute or more, to wonder about them, then I think I will have accomplished something.
    Another thing I learned in college is to throw out my first idea, it is usually not very good. And I have been a little nervous because I though that this idea I have  for these paintings was my first idea. But I am just realizing I had really been wanting to make paintings of ghosts for a long time. And that is along the same lines as this but that was the throw away idea. This is better. 
    A poetry teacher in college said to me once, "These poems are good. You already know what to leave out." I loved that. It reminded me of a drawing I made in high school. It was the first drawing I ever made without lines. It was a pencil drawing and it was just shading. To me, it looked so real. Without the lines telling you it was a drawing. I think you can over say things and they lose their mystery. Things that are obvious do not need to be looked at for long. I hope I leave out the right things and choose just the right ones to leave in.
    I guess art school was good for something. Good for making art.




It is time.



     Well, September has arrived, and so has summer it seems. Hot, humid and sunny, finally, and I am grateful for the warmth and the sun, even it is on it's way out. Yesterday Joseph, Desmond and I drove over to the space with the six canvases strapped to the roof of the car and brought them inside and up onto the stage. We pulled them out of their cardboard boxes and lined them up. They barely fit side by side and I was glad I hadn't bought ten after all which had been my original plan. Ten months and ten paintings made sense. But they are big and so they were not cheap and they came in a box of three so I got two boxes. They seem enormous and they are new, clean and white. They are pure potential.
    I was talking to a friend today and said, this is the best part really, the beginning, the canvases are blank. They still might be the six greatest paintings I have ever painted. Or the worst. Or, more likely, something in between. It is all to come and from where I'm standing it is exciting, and scary and a still a bit of a surprise. Like anything that is new, you hope for the very best and the very best is possible. As time goes by, the very best may be whittled down to something else.
    I feel like I have some big expectations and have been thinking that I should probably reel myself in a bit and just allow myself this time, these blank canvases, the space, the paint, the experience to be what it will be, without pressure. Pressure to paint something amazing. Or even "good". Maybe they will be great. They might be terrible, or mediocre. I hope to try to look at it more like 10 months of me having a place to go and be alone, to think, to breathe, to be creative and to remember what it was like to spend hours painting. It is a real gift to be able to do this. To have chosen to do this. I don't think it will be easy, but maybe it will be. I am not so sure what it will like at all. Will it be like detoxing? Will I want to run out the door? Will I have a hard time being still? Detoxing from the need to get things done? Practical things, things on my list, things that "need" to be. Paintings don't need to be painted. Not by me anyway. I just want to paint. It is just desire. I wonder if it will be hard to let myself just be there. And be free. From 9:30 until 3:00. A window of freedom. Like a ride.
    Sometimes painting is a struggle. When it's not working. When it doesn't look the way I want it to. I feel like I am not a very knowledgeable painter. Most of what I know I have sort of fudged or guessed and I make it up as I go along. Most things I do in life, I do this way.
    Most paintings I have painted, I have hated midway through. And I push through until I come out on the other side and like them in the end. I wonder if it will be hard to stop at 3:00 to pick up Desmond at school. Probably some days it will. My mother was a writer and she scheduled her own  hours. She said it was better to stop working when she was in the middle of something because it was easier to pick it back up the next day. She had a calender with blocks of time marked off that said, "write".  Her studio was a little room in our attic with a couple of windows and built in bookcases and a desk with her word processor, later, her computer. I still dream about that little office, studio of hers. A light at the top of attic stairs.
    So, these are my six big blank canvases, on an otherwise empty stage. Already a metaphor.  Although I'm not sure what it is exactly. What a wonderfully odd place to paint, behind a velvet curtain on a stage in an old parish hall of a church. I don't think I could have thought of anything better really. Something about it is just right. It is already a story. And I feel like this old wooden stage will be watching me and enjoy having me there. And we'll share a sandwich.
    Desmond starts school tomorrow, but only for a half day. I think on Thursday, I will go back and start to cover the walls and floor with some plastic drop cloths. Bring a few things over. In the meantime, I am working on making decisions about backgrounds. Choosing from photographs I have taken this summer. I'll have to print them out and buy paint and paint brushes. Maybe on Friday I will make my first marks. And then we're off and running.


  





Sunday, August 17, 2014

Summer's song.

    It is still August, although it feels like Fall already. What a mild summer we've had. I thought after last summer, with so many too hot days and this winter with it's polar vortex and all the big storms we have now, that global warming meant more extreme weather. I thought that this summer would be really hot. I had also decided that the seasons seemed to be bumped up a month or so, each season starting later than usual. But summer really barely got going at all and now it seems it is ending too soon. So now, with one window cracked open, I feel cool air on my body, through my long sleeves and long pants. I miss you, summer. I really do. The thing that is true about our new weather is that it is unpredictable and unfamiliar. Our winter last year was so long and so cold. I really need to be too hot, to be tired of summer when Fall comes, to be too sweaty, sunburned and ready for jeans and a sweater. I am not even close. It feels like heart ache. A longing for someone that doesn't come around anymore. A little worried about how I will handle the days ahead. How will I get over the Summer that never came. I feel like I am so hungry and there will be no food for a long time.
    I moved myself out to my front porch hammock where the cicadas are buzzing and the crickets are chirping, the sun is actually warm and there is only a slight breeze. The trees out here are still green. I shall stay outside until winter comes. Like a bear getting fat before winter comes. I will get as fat as I can on fresh air, sunlight, bird and bug song,  and the color green. Don't go! Don't go, Summer! I need you! I would grab you by the pant legs and let you drag me down the street crying like the pathetic Summer loving woman I am. I would do it. I would beg you. Fuck Winter and his fleece. He's such a dork. It's you I want, Summer. At least until I am tired of you.
    I'm so spoiled.
    When September comes, it may still be warm. Let's hope so. My little boy, my wild and wiggly little boy who I have stayed home with for the first five years of his life, will be starting Kindergarten. Full day, from nine to three, five days a week, three blocks from our house. I think I spent a good portion of the last year or two panicking about what to do with myself when he does. I thought about finishing my Master's Degree that I had started so long ago, in Art Therapy. Then I decided I would just get a Master's in Social Work. This seemed like a practical path to take. I could go to school when Desmond goes to school and work towards getting a real grown-up job, a real career, like a real grown-up lady. I applied to the school I could afford and did not get in. My plan B was to take the year to paint. To be an artist for the year, a real one.
    Here's the thing. Art is my jam. If you know me, you know that already. Art has always been my thing, since I was really little. My father is an artist and I suspect I got some fancy art gene from him. I could always draw really well and since I could do it well, I enjoyed doing it. It seemed to make people happy and excited. Adults and kids too. I always thought I'd grow up to be an artist. Because people told me I would. I took art classes whenever I had a chance too, any elective in school, any summer school thing I had to do, or summer camp. I went to a Cultural Arts High School, half day, my junior and senior years of high school. Took a bus every day after a morning of my public high school, a half hour drive, to a small BOCES run school. It saved me. In that way you need saving in high school. It was relief from the world that was made up of the kids I had grown up going to school with. The classes I struggled in. It was a light in my murky teenage world. A light that shone with pixie dust. Like dust particles in sunlight, you know it's just dust but it's so beautiful. Like a dusty light. And I loved it so. It was just right.
    From there I applied to art schools for college. I got into all of them, received scholarships to each one. But the very best art school, the hardest to get into, the one that was a free ride, full scholarship to everyone who got in, was where I wanted to go. And I won't forget when I got called down to the office at school one afternoon for a phone call from my mom. I think I had let her open all my college mail. And I think she had opened it before she called, but she called and told me I got in. I was so happy. Then I had to sit on the bus for a half hour ride home and all the giddy, excited butterflies had settled by the time I got dropped off at my door. But we were thrilled, my mom and I. So that's where I went, Cooper Union, the college that teaches Art, Architecture, and Engineering. It used to be free for every student. Just this past year they started charging tuition and the students are taking the school to court, God bless em. I hope they win. The BOCES Cultural Arts Center in Syosset on Long Island is also closing. Budget cuts. I am so lucky I had the chance to go to both of these schools, they were two places and two times in my life I had the chance to dedicate hours and hours a day to making art. What a thing. What a feeling it was.
     Then, you know, life doesn't do what you think it's going to do and everything went awry. That's okay, that's life, it does what it does and you do what you do and you do the best you can. I did not become an artist. But I never stopped being one either. I have not made a career for myself, in art or in anything else really. I have had, up until now, a beautiful life, a full, fun and busy life. It's also been hard some times but who's life isn't.
    In a couple of weeks, something really cool is going to happen. When I walk Desmond the three blocks to school at nine in the morning, I will walk another three blocks, to an old white building. This building belongs to a church that used to have an elementary school, which has been closed for a few years. The building is a sort of gymnasium and auditorium. It has a wooden gym floor and basketball hoops and a stage at one end. They still have their Christmas patents there and the boy scouts plays basketball there on Tuesday nights. But that stage will be mine, that building will be mine, to paint in from September until June.
    I will walk to that building and on the stage, there will be, six, four foot by six foot canvases. And they will be mine. And I will paint until three o'clock, when I will walk to pick up Desmond and walk us both home to rest and make dinner and talk about our successes and failures of our day.
    I haven't had this kind of time or space to paint since college. It is nothing short of glorious, amazing, miraculous and thrilling to me. My hope is to finish at least, the six big paintings. To cover these big canvases that will be delivered to my house this week with some beautiful art, the best I can. And then to sell them. If it goes well, I hope to do it again.
    I imagine it will be fantastic and hard too. Painting is not always easy, it is often a struggle but when it goes right, I think there are very few things more satisfying. Is there anything more satisfying? I don't know. Maybe a great fish taco. Maybe not, maybe it's my best and most satisfying thing.
    And above all, after September first, if anyone asks me, "What do you do?" I will have a shit eating grin on my face and say, "I'm an artist." I'll try not to add, "Suck it" to that statement. I don't know why this endeavor feels like sticking out my tongue and waggling my fingers with my thumbs in my ears. I guess it feels like it's not practical or sensible. And I've been jealous of everyone else who seemed to be doing anything remotely like this and feeling like I wasn't allowed. All the voices in my head that have told me this is a bad idea, I am not a good "enough" artist, it's a waste of time and money. Shut it. I don't care, I'm doing it anyway, while I can. I feel like I am getting away with something. And after five years of devoting most all of my time to caring for someone else, I am taking time to do what I want. Exactly what I want. Not sort of what I want, but the one thing I want to do most.
   Fall might not be so bad.
   

Saturday, August 16, 2014

Color Palette

In order to get ready to paint, I am thinking about choosing a color palette. My art has always been pretty broad, in style and medium and size. I think I have a visual language that carries through, my line is my line, there is a look about it all that holds it together but the thread is thin. I want to do a cohesive body of work, in size and theme and I think maybe a color palette as well. Just scrolling through my art folder on pinterest, I pulled some paintings who's color I am drawn to these days. It is nice to see them together and to see if they have anything in common. My days before landing in my new studio space are days for planning. I have ideas. I need photographs, to take them, to print them. I need paint. I need to decide on what kind and what colors. Also, I think I might need a back pack. 

by Casey Roberts
 Dark background and light subject matter. A few bright colors. Clean negative space. Solid shapes of flat color and fine detail mixed in. Very elegant. Comforting. Orderly. 

by Deborah Zlotsky
Muted and also full of light. There is a glow about it. 

by Elliot Coffin
Dark background with light subject matter. Solid shapes and little details. Order. 

Etsy Print...
Color Palette, muted but looks bright together.

(Found on Scoutmob)
   Dark background. A shine. A glow. 


                                                                  by Gurt and Uwe Tobias
            Black background, dark subject matter, bright detail. A glow. Night time. Magic. Flat color.


by Jeremy Miranda
Beautiful palette.  Warm light, cool shadow.

                                                                        by Jonas Wood
                                                Flat color. Line. Shape. Beautiful color. Clean.

by Makiko Kudo
  Black and blue, dark background, shadow, depth, style. Lit object in color. Muted and bright mix. Pinks, chartreuse, light blues.

by Marina Muun
Muted palette. Calm. Dim. Sophisticated. Clean. Flat color. 



                                                                     by Paul Wackers
                                This guy kills me. Flat color. Clean edges. Muted. Color splashes.

                                                                        by Paul Wackers
                               To love. Dark background. Flat objects. Solid colors. Like cut paper collage.

by Ryo Takemasa
                                                    Pretty color. Flat color shapes. Tone.